Pararse Con Mi [Working Demo]
![Pararse Con Mi
Source Material: Illinois (2005) - Come On! Feel The Illinoise! (Instrumental)
Reference: Bill Kangas - on YouTube
Time Signature: 5/4 Time (Asymmetrical / Complex Meter)
BPM: 128 Beats Per Minute
Tempo: Moderately Fast / Urgent
Key: D ♭ Major (Often played as C Major with a capo on the 1st fret)
Chord Progression: Anchored primarily by a repeating Cmaj7 (C Major Seventh) [If capoed]. Bridging occasionally into F - Am - C - E
Tuning: Standard (E A D G B E)
Capo: 1st Fret (to play in C Major shapes while sounding in D♭ Major)
5/4 Time Count: 1-2-3-4-5
3+2 Groupings: 1-2-3 | 4-5 (Accents: 1 & 4)
2+3 Groupings: 1-2 | 3-4-5 (Accents: 1 & 3)
Strumming Pattern: A rapid, forward-leaning sixteenth-note pattern emphasizing the downbeats of the sub-groupings (either the 1 and 4, or the 1 and 3 depending on which grouping.)
Cmaj7 (C Major Seventh) Fmaj7 (F Major Seventh) Am (A Minor)
[3-2-3-2 Melodic Piano Pattern]
[Spanish / English]
(0:00)
🎹 En Villa, “In Villa, [Cmaj7]
🎹 Par-que. Park.” [Cmaj7]
🎹 On-dula, “Waving, [Cmaj7]
🎹 Ci-ón. .” [Cmaj7]
(0:02)
🎹 Vi-va Méx, “Viva, [Cmaj7]
🎹 I-co. Mexico.” [Cmaj7]
🎹 El reme, “The, [Cmaj7]
🎹 Di-o. Remedy.” [Cmaj7]
[3-2-3-2 Alto Saxophone & Trumpet Pattern]
(0:05)
🎷🎺 Yo no de, “I Won’t, [Cmaj7]
🎷🎺 Jar tú. Let you.” [Cmaj7]
🎷🎺 Con-seguir, “Get, [Cmaj7]
🎷🎺 Her-ir. Hurt.” [Cmaj7]
(0:08)
🎷🎺 Ca-riño, “Sweety, [Cmaj7]
🎷🎺 A-quí. Here.” [Cmaj7]
🎷🎺 A-garrar, “Grab, [Cmaj7]
🎷🎺 A mí. Me.” [Cmaj7]](https://gregpeary.com/wp-content/uploads/2026/09/Gregory-M.-Peary-Pararse-Con-Mi-Working-Demo-2026-09-08-Page-1-of-6-792x1024.png)
![(0:10)
🎷🎺 Par-arse, “Stand, [Cmaj7]
🎷🎺 Con mi. With me.” [Cmaj7]
🎷🎺 Sos-tener, “Hold, [Cmaj7]
🎷🎺 Ma-nos. Hands.” [Cmaj7]
[3-2-3-1 Rest/Dropout Alto Saxophone & Trumpet Pattern]
(0:13)
🎷🎺 Mi-rada, “Stare, [Cmaj7]
🎷🎺 Fi-ja. .” [Cmaj7]
🎷🎺 En mi o, “Into my, [Cmaj7]
🎷🎺 Jos? Eyes?” [Cmaj7]
[3-2-3-2 Melodic Piano Pattern]
(0:15)
🎹 Soy descn, “I’m, [Cmaj7]
🎹 Den-te. Falling.” [Cmaj7]
🎹 Pa-ra tú, “For you, [Cmaj7]
🎹 Chi-ca. Girl.” [Cmaj7]
(0:18)
🎹 A-trapar, “Catch, [Cmaj7]
🎹 A mí. Me.” [Cmaj7]
🎹 Den-tro su, “Within your, [Cmaj7]
🎹 Bra-zos. Arms.” [Cmaj7]
(0:21)
🎹 Tan mare, “So, [Cmaj7]
🎹 A-do. Dizzy” [Cmaj7]
🎹 Soy contem, “I’m, [Cmaj7]
🎹 Plan-do. Gazing.” [Cmaj7]
(0:23)
🎹 En su son, “At your, [Cmaj7]
🎹 Ri-sa. Smile.” [Cmaj7]
🎹 Con puro, “With pure, [Cmaj7]
🎹 Sue-ños. Dreams.” [Cmaj7]
[3-2-3-2 Mixed Piano & Drum Pattern]
(0:26)
🎹 Su-surros, “Whispers, [Fmaj7]
🥁 Gua-po. Handsome.” [Fmaj7]
🎹 Tí-mido, “Shy, [Fmaj7]
🥁 Ru-bor. Blushing.” [Fmaj7]](https://gregpeary.com/wp-content/uploads/2026/09/Gregory-M.-Peary-Pararse-Con-Mi-Working-Demo-2026-09-08-Page-2-of-6-792x1024.png)
![(0:29)
🎹 Ar-tista, “Artist, [Fmaj7]
🥁 Ja ja. Ha ha.” [Fmaj7]
🎹 Se-gura, “Sure, [Fmaj7]
🥁 Be-bé. Baby.” [Fmaj7]
(0:31)
🎹 De-seos, “Wishes, [Am]
🥁 Ve-nir. Come.” [Am]
🎹 Ver-dade, “True, [Am]
🥁 Ro si. Yes.” [Am]
[3-2-3-1 Rest/Dropout Mixed Piano & Drum Pattern]
(0:34)
🎹 De-fensor, “Advocate, [Am]
🥁 A-mar. Love.” [Am]
🎹 De-tener, “Stop, [Am]
🎹 Nos? Us?” [Am]
[3-2-3-2 Alto Saxophone & Trumpet Pattern]
(0:37)
🎷🎺 Se-cuestro, “Hijacking, [Cmaj7]
🎷🎺 On-das. ”Airwaves. [Cmaj7]
🎷🎺 Es-cuchar, “Hear, [Cmaj7]
🎷🎺 Es-to. This.” [Cmaj7]
(0:39)
🎷🎺 Es nuestra, “It’s our, [Cmaj7]
🎷🎺 Mi-sión. Mission.” [Cmaj7]
🎷🎺 Re-chazar, “Refuse, [Cmaj7]
🎷🎺 O-diar. Hate.” [Cmaj7]
(0:42)
🎷🎺 Su pobre, “Your poor, [Cmaj7]
🎷🎺 Vi-sión. ”Vision. [Cmaj7]
🎷🎺 Ci-ego, “Blind, [Cmaj7]
🎷🎺 Vi-stos. Views.” [Cmaj7]
[3-2-3-1 Rest/Dropout Alto Saxophone & Trumpet Pattern]
(0:45)
🎷🎺 Vo-luntad, “Will, [Cmaj7]
🎷🎺 To-do. All.” [Cmaj7]
🎷🎺 Fin aho “End, [Cmaj7]
🎷🎺 Ra. Now.” [Cmaj7]](https://gregpeary.com/wp-content/uploads/2026/09/Gregory-M.-Peary-Pararse-Con-Mi-Working-Demo-2026-09-08-Page-3-of-6-792x1024.png)
![[3-2-3-2 Melodic Piano Pattern]
(0:47)
🎹 Po-líti, “Politi, [Fmaj7]
🎹 No no. Cal no.” [Fmaj7]
🎹 Per-sonal, “Personal, [Fmaj7]
🎹 Fal-so. False.” [Fmaj7]
(0:50)
🎹 Es proto, “It’s proto, [Fmaj7]
🎹 Co-lo. Col.” [Fmaj7]
🎹 No poder, “Can’t, [Fmaj7]
🎹 Tú ver? You see?” [Fmaj7]
(0:53)
🎹 Des-pertar, “Wake up, [Am]
🎹 Ton-tos. Fools.” [Am]
🎹 O-ler el, “Smell the, [Am]
🎹 Ca-fé. Coffee.” [Am]
[3-2-3-1 Rest/Dropout Piano Pattern]
(0:56)
🎹 Ros-tro re, “Face, [Am]
🎹 A-lidad. Reality.” [Am]
🎹 A-cépta, “Accept, [Am]
🎹 Lo. It.” [Am]
[Intermission]
[3-2-3-2 Piano & Woodwind Pattern]
(1:12)
🎹🪈 Tris-te Men, “Sad, [Cmaj7]
🎹🪈 Ti-ras. Lies.” [Cmaj7]
🎹🪈 Trá-gico, “Tragic, [Cmaj7]
🎹🪈 Al-mas. Souls.” [Cmaj7]
(1:15)
🎹🪈 Ras-gado, “Torn, [Cmaj7]
🎹🪈 Men-tes. Minds.” [Cmaj7]
🎹🪈 Co-razón, “Heart’s, [Cmaj7]
🎹🪈 Ro-to. Broken.” [Cmaj7]
(1:18)
🎹🪈 Ciu-dad na, “Hometown, [Cmaj7]
🎹🪈 Tal que? What?” [Cmaj7]
🎹🪈 No hablo, “I don’t speak, [Cmaj7]
🎹🪈 Ol-mo. Elm.” [Cmaj7]](https://gregpeary.com/wp-content/uploads/2026/09/Gregory-M.-Peary-Pararse-Con-Mi-Working-Demo-2026-09-08-Page-4-of-6-792x1024.png)
![(1:21)
🎹🪈 No telé, “No tele, [Cmaj7]
🎹🪈 Fo-no. Phone.” [Cmaj7]
🎹🪈 ¡Fal-so nú, “False, [Cmaj7]
🎹🪈 Me-ro! Number!” [Cmaj7]
[3-2-3-2 Melodic Piano Pattern]
(1:23)
🎹 San-grado, “Bloody, [Cmaj7]
🎹 Na-sal. Nose.” [Cmaj7]
🎹 So-lo mi “Just my, [Cmaj7]
🎹 Suer-te. Luck.” [Cmaj7]
(1:25)
🎹 A-ún es, “Still, [Cmaj7]
🎹 Pe-ra. Waiting.” [Cmaj7]
🎹 Pa-ra tu, “For your, [Cmaj7]
🎹 Ac-ción. Action.” [Cmaj7]
(1:28)
🎹 In-tentar, “Try, [Cmaj7]
🎹 Du-ro. Hard.” [Cmaj7]
🎹 Si-lencio, “Silence, [Cmaj7]
🎹 A mí? Me?” [Cmaj7]
(1:30)
🎹 Man-tenga, “Keep up, [Cmaj7]
🎹 Con mi. With me.” [Cmaj7]
🎹 Si usted, “If you, [Cmaj7]
🎹 Pue-de. Can.” [Cmaj7]
(1:33)
🎹 De-jar un, “Leave a, [Cmaj7]
🎹 Co-mo. Like.” [Cmaj7]
🎹 Reu-nirse, “Come together, [Cmaj7]
🎹 To-do. All.” [Cmaj7]
(1:36)
🎹 Dis-crimi, “Discrimin, [Cmaj7]
🎹 Na-ción. Ation.” [Cmaj7]
🎹 Pa-radas, “Stops, [Cmaj7]
🎹 A-quí. Here.” [Cmaj7]](https://gregpeary.com/wp-content/uploads/2026/09/Gregory-M.-Peary-Pararse-Con-Mi-Working-Demo-2026-09-08-Page-5-of-6-792x1024.png)
![(1:39)
🎹 Úl-tima, “News, [Fmaj7]
🎹 Ho-ra. Flash.” [Fmaj7]
🎹 To-mando, “Taking, [Fmaj7]
🎹 Con-trol. Control,” [Fmaj7]
[3-2-3-1 Rest/Dropout Piano Pattern]
(1:41)
🎹 Ma-dera, “Wood, [Am]
🎹 Me-sas. Tables.” [Am]
🎹 Trans-forma, “Turned, [Am]
🎹 Do. .” [Am]
[3-2-3-2 Alto Saxophone & Trumpet Pattern]
(1:45)
🎷🎺 O-este, “West, [Cmaj7]
🎷🎺 Ru-ta. Route.” [Cmaj7]
🎷🎺 O-chenta, “Eighty, [Cmaj7]
🎷🎺 Y tres. Three.” [Cmaj7]
(1:48)
🎷🎺 Ú-nete, “Come join, [Cmaj7]
🎷🎺 Can-tar. Sing.” [Cmaj7]
🎷🎺 Va-mos a, “Let’s, [Cmaj7]
🎷🎺 Lu-char. Fight.” [Cmaj7]
(1:50)
🎷🎺 En-fermo, [Double Entendre / Bilingual Pun] “I’ll, [Cmaj7]
🎷🎺 Ac-to. Act.” [Cmaj7]
🎷🎺 Es-cupir, “Spit, [Cmaj7]
🎷🎺 He-chos. Facts.” [Cmaj7]
[3-2-3-1 Rest/Dropout Alto Saxophone & Trumpet Pattern]
(1:53)
🎷🎺 Mar-cado, “Dialed, [Cmaj7]
🎷🎺 Se-ñal. Signal.” [Cmaj7]
🎷🎺 ¡Sin-toni, “Tune, [Cmaj7]
🎷🎺 Zar! In!” [Cmaj7]
Inscribed By,
Gregory M. Peary.](https://gregpeary.com/wp-content/uploads/2026/09/Gregory-M.-Peary-Pararse-Con-Mi-Working-Demo-2026-09-08-Page-6-of-6-792x1024.png)
Download the master PDF for offline reading, printing, and peer-to-peer sharing:
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