Dunkley’s Grove [Working Demo]

Published by Greg Peary on August 28, 2026August 28, 2026

Dunkley’s Grove

Source Material: Pavement - 5-4 Unity
Reference: Pavement - on YouTube
Time Signature: 5/4 Time (Asymmetrical / Complex Meter)
BPM: 135 Beats Per Minute
Tempo: Allegro – fast & bright
Key: F (F Major)
Chord Progression: Fmaj7 – Gm7 (F Major Seventh – G Minor Seventh)
Tuning: Standard (E-A-D-G-B-E)
Capo: None
5/4 Time Count: 1-2-3-4-5
3+2 Groupings: 1-2-3 | 4-5 (Accents: 1 & 4)
2+3 Groupings: 1-2 | 3-4-5 (Accents: 1 & 3)
Strumming Pattern: Staccato Jazz Comping | Choppy & rhythmic. Sharp, quick downstrokes directly on the accents

Fmaj7 (F Major Seventh) Gm7 (G Minor Seventh)

[3-2-3-2 Melodic Piano Pattern]

(0:00)
🎹 Ad-venture, [Fmaj7]
🎹 Farm lands. [Gm7]
🎹 A-musement, [Fmaj7]
🎹 Phone Paul. [Gm7]

[3-2-3-3 Melodic Comping Piano Pattern]

(0:03)
🎹 But-ter pack, [Fmaj7]
🎹 Pic-nic. [Gm7]
🎹 Skip-py store, [Fmaj7]
🎹 Y dis’ Book? [Gm7]

[3-2-3-2 Melodic Piano Pattern]

(0:07)
🎹 Mer-ry go, [Fmaj7]
🎹 Round jam. [Gm7]
🎹 Step right up, [Fmaj7]
🎹 Hey-man. [Gm7]

[3-2-3-3 Melodic Comping Piano Pattern]

(0:11)
🎹 Eight-teen hun, [Fmaj7]
🎹 Dread twelve. [Gm7]
🎹 Won prize Scott, [Fmaj7]
🎹 Darn Winfield. [Gm7]

[2-3-2-3 Lead Guitar/Saxophone Pattern]

(0:14)
🎸🎷 Step off, [Fmaj7]
🎸🎷 Top their trail. [Gm7]
🎸🎷 We won’t, [Fmaj7]
🎸🎷 Let you in. [Gm7]

(0:18)
🎸🎷 In-come, [Fmaj7]
🎸🎷 Broad wagons. [Gm7]
🎸🎷 De-fend, [Fmaj7]
🎸🎷 Black Hawk’s men. [Gm7]

[3-2-3-2 Melodic Piano Pattern]

(0:22)
🎹 Pur-chased tick, [Fmaj7]
🎹 Ets see? [Gm7]
🎹 Arm-y Trail, [Fmaj7]
🎹 Ask fault. [Gm7]

(0:25)
🎹 No-thing just, [Fmaj7]
🎹 Crick-ets? [Gm7]
🎹 Oh right the, [Fmaj7]
🎹 Pre-serve.. [Gm7]

[3-2-3-2 Rhythm Guitar Pattern]

(0:28)
🎸 Mo-del me, [Fmaj7]
🎸 A Boat. [Gm7]
🎸 Which remains, [Fmaj7]
🎸 A-float. [Gm7]

(0:33)
🎸 South-paw Sol, [Fmaj7]
🎸 Der y’all. [Gm7]
🎸 Re:....spond Sir, [Fmaj7]
🎸 Get tossed. [Gm7]

[3-2-3-2 Melodic Piano Pattern]

(0:39)
🎹 Au-to Re, [Fmaj7]
🎹 Wind-er. [Gm7]
🎹 I compute, [Fmaj7]
🎹 My-chines. [Gm7]

[3-2-3-3 Melodic Comping Piano Pattern]

(0:43)
🎹 Shout-out Bur, [Fmaj7]
🎹 Ling-ton. [Gm7]
🎹 Two Sev Two, [Fmaj7]
🎹 One Sev-en? [Gm7]

[3-2-3-2 Melodic Piano Pattern]

(0:46)
🎹 Le-monaid, [Fmaj7]
🎹 Stand ground. [Gm7]
🎹 Sore-y Sweet, [Fmaj7]
🎹 Tea y’all. [Gm7]

[3-2-3-3 Melodic Comping Piano Pattern]

(0:50)
🎹 We’d claim Bless, [Fmaj7]
🎹 Your hearts. [Gm7]
🎹 But y’all ain’t, [Fmaj7]
🎹 Try-in’ spool. [Gm7]

[2-3-2-3 Lead Guitar Pattern]

(0:53)
🎸 See Smash, [Fmaj7]
🎸 Ing Pumpkins. [Gm7]
🎸 Dee un, [Fmaj7]
🎸 Spo-ken trees? [Gm7]

[2-3-2-5 Comping Lead Guitar Pattern]

(0:56)
🎸 Glen El, [Fmaj7]
🎸 Lyn sing long. [Gm7]
🎸 Weap-on, [Fmaj7]
🎸 Ize all our fine arts. [Gm7]

[3-2-3-2 Melodic Piano Pattern]

(1:01)
🎹 Don’t pin blame, [Fmaj7]
🎹 On me. [Gm7]
🎹 It was Will, [Fmaj7]
🎹 I-am. [Gm7]

(1:04)
🎹 Why do some, [Fmaj7]
🎹 Treat me. [Gm7]
🎹 Like such an, [Fmaj7]
🎹 Out-kast? [Gm7]

[3-2-3-2 Rhythm Guitar Pattern]

(1:08)
🎸 Too cool to, [Fmaj7]
🎸 Be bad. [Gm7]
🎸 End Double, [Fmaj7]
🎸 You Oh. [Gm7]

(1:12)
🎸 Surf in like, [Fmaj7]
🎸 Scott Hall. [Gm7]
🎸 Say…..Hey yo, [Fmaj7]
🎸 Chi-co? “Boy?” [Gm7]

[3-2-3-2 Lead Guitar Pattern]

[Spanish / English]

(1:18)
🎸 Hay No Way, “There’s No Way, [Fmaj7]
🎸 Out ver. Out see.” [Gm7]
🎸 Nu-estro, “Our, [Fmaj7]
🎸 De-but. Debut.” [Gm7]

(1:22)
🎸 Es-tás Kurt, “You’re Kurt, [Fmaj7]
🎸 Ang-le? Angle?” [Gm7]
🎸 Dar a mí, “Give me, [Fmaj7]
🎸 Su Gold. His Gold.” [Gm7]

[2-3-2-3 Lead Guitar Pattern]

(1:25)
🎸 Cal verde, “Lime green, [Fmaj7]
🎸 Gui-tarra. Guitar.” [Gm7]
🎸 Nine-teen, “Nineteen, [Fmaj7]
🎸 Nine-ty seis. Ninety six.” [Gm7]

[3-2-3-2 Lead Guitar Pattern]

(1:28)
🎸 Es-tima, “Dear, [Fmaj7]
🎸 Do Kurt. Kurt.” [Gm7]
🎸 A-hora, “Now, [Fmaj7]
🎸 Tam-bor. Drum.” [Gm7]

[3-2-3-2 Melodic Piano Pattern]

(1:31)
🎹 Yo tuned up, “I tuned up, [Fmaj7]
🎹 Shawn’s band. Shawn’s band.” [Gm7]
🎹 Sweet Chin Mus, “Sweet Chin Mus, [Fmaj7]
🎹 I-ca. Ic.” [Gm7]

[3-2-3-3 Melodic Comping Piano Pattern]

(1:34)
🎹 Do I hear, [Fmaj7]
🎹 Or-gans? [Gm7]
🎹 How long can, [Fmaj7]
🎹 You all “Last”? [Gm7]

[3-2-3-2 Melodic Piano Pattern]

(1:38)
🎹 Dub me The, [Fmaj7]
🎹 Hit-man. [Gm7]
🎹 I’m all Hart, [Fmaj7]
🎹 And Soul. [Gm7]

[3-2-3-3 Melodic Comping Piano Pattern]

(1:41)
🎹 I’ll call Jim, [Fmaj7]
🎹 Corn-ette. [Gm7]
🎹 With-draw all, [Fmaj7]
🎹 Y’all Bucks. [Gm7]

[3-2-3-2 Lead Guitar/Saxophone Pattern]

(1:45)
🎸🎷 Thir-ty three, [Fmaj7]
🎸🎷 One third. [Gm7]
🎸🎷 Min-us twen, [Fmaj7]
🎸🎷 Ty five. [Gm7]

[3-2-3-3 Comping Lead Guitar/Saxophone Pattern]

(1:48)
🎸🎷 Eight and two, [Fmaj7]
🎸🎷 Third chance. [Gm7]
🎸🎷 Sum got of, [Fmaj7]
🎸🎷 Winn-ing see. [Gm7]

[3-2-3-2 Lead Guitar Pattern]

(1:52)
🎸 Bet-ter luck next, [Fmaj7]
🎸 Count Scott. [Gm7]
🎸 Hol-la if, [Fmaj7]
🎸 Hear me? [Gm7]

(1:55)
🎸 That’s cute you’re, [Fmaj7]
🎸 Still Green. [Gm7]
🎸 Mean-er than, [Fmaj7]
🎸 Mean Gene. [Gm7]

[3-2-3-2 Rhythm Guitar Pattern]

(1:58)
🎸 Eat-ing Stan’s, [Fmaj7]
🎸 Do-nuts. [Gm7]
🎸 I’m tired just, [Fmaj7]
🎸 Like Punk. [Gm7]

[3-2 Rhythm Guitar Pattern]

(2:02)
🎸 Lock-port cheers, [Fmaj7]
🎸 Pep-si? [Gm7]

Inscribed By,
Gregory M. Peary

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Gregory M. Peary – Dunkley’s Grove [Working Demo] (2026-08-28)Download

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Tags: 5-4 Unity5/4 TimeAddisonBurlingtonGlen EllynGreg PearyGregory PearyInstrumentalLockportPavement